Two kits, two licensed operators, dual-operator capability. The drone as a production tool, not an add-on.
We run two drone kits and two commercially licensed operators.
Konsta flies the DJI Inspire, a four-rotor cinema drone used in video productions where image quality and flight precision are decisive. Valtteri operates the DJI Mini 4 Pro, which covers city-centre areas where regulations restrict larger kit.
Both operators hold A2 and A3 commercial drone licences.
The Inspire's dual-operator setup changes what's possible on a shoot. One operator flies, the other works the camera independently. That separation makes it possible to fly in tight industrial halls, to track fast-moving subjects like vehicles, and to pull off complex camera moves a single-operator drone can't.
It's a meaningful capability difference, not marketing talk. When a production calls for FPV, we bring in a specialist through FraymFriends.
A drone works best when it's designed into the production from the start, not requested at the end of the shoot day. We integrate aerial work into the production brief so it brings a perspective you can't get from the ground.
Drone work, aerial photography and demanding dual-operator shots are designed into the production from the start — safely, licensed, and so the air adds real value to the story.
